Cover for Wilson Kimber: The Elocutionists: Women, Music, and the Spoken Word. Click for larger image
Ebook Information

The Elocutionists

Women, Music, and the Spoken Word

Rediscovering a lost art and the women who made it

Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century.

Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music.

"In her fascinating and long-needed study, Wilson Kimber reconstitutes and interprets a set of pervasive but neglected practices that include not only elocution but also melodramatic performance, recitation in combination with music, and the activities of the verse speaking choir. In so doing, she helps to recover an elusive but crucial element of cultural history: the sound of women's lives."--Joan Shelley Rubin, author of Songs of Ourselves: The Uses of Poetry in America

"A century ago, popular literature reached many Americans through the interpretive voices of women, women who--typically barred from the men's world of political oratory--cultivated a performance art in the home, the theater, on the traveling circuit. While revealing the huge variety of music used to accompany spoken narration, Wilson Kimber brings alive again the forgotten art of elocution through a close examination of the 'sentimental keepsakes' and pedagogical traditions it sought to preserve."--Michael V. Pisani, Vassar College

Publication of this book was supported by grants from the H. Earle Johnson Fund of the Society for American Music, from the AMS 75 PAYS Endowment of the American Musicological Society, funded in part by the National Endowment for the Humanities and the Andrew W. Mellon Foundation, and from the University of Iowa School of Music.


Marian Wilson Kimber is an associate professor of music at the University of Iowa.

To order online:
http://www.press.uillinois.edu/books/catalog/76xzh3xp9780252040719.html

To order by phone:
(800) 621-2736 (USA/Canada)
(773) 702-7000 (International)

Related Titles

previous book next book
Just One of the Boys

Female-to-Male Cross-Dressing on the American Variety Stage

Gillian M. Rodger

Fannie Bloomfield-Zeisler

The Life and Times of a Piano Virtuoso

Beth Abelson Macleod

American Music

Edited by Neil Lerner

The Mormon Tabernacle Choir

A Biography

Michael Hicks

May Irwin

Singing, Shouting, and the Shadow of Minstrelsy

Sharon Ammen

Sounds of the New Deal

The Federal Music Project in the West

Peter Gough

Bach Perspectives, Volume 11

J. S. Bach and His Sons

Edited by Mary Oleskiewicz

Music and the Moving Image

Edited by Gillian B. Anderson & Ronald H. Sadoff

Roll Over, Tchaikovsky!

Russian Popular Music and Post-Soviet Homosexuality

Stephen Amico

The Voice in the Drum

Music, Language, and Emotion in Islamicate South Asia

Richard K. Wolf

Women Singers in Global Contexts

Music, Biography, Identity

Edited by Ruth Hellier

Black Music Research Journal

Edited by Horace Maxile, Jr.

Libby Larsen

Composing an American Life

Denise Von Glahn

 
The Elocutionists ebook is available for immediate download from the following vendors: